{"id":14048,"date":"2020-08-27T17:27:15","date_gmt":"2020-08-27T17:27:15","guid":{"rendered":"https:\/\/gaceta.facmed.unam.mx\/?p=14048"},"modified":"2020-08-31T17:03:07","modified_gmt":"2020-08-31T17:03:07","slug":"el-arte-realista-en-la-pintura-de-vermeer","status":"publish","type":"post","link":"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/","title":{"rendered":"El arte realista en la pintura de Vermeer"},"content":{"rendered":"\n<p>Los pintores n\u00f3rdicos ten\u00edan un ojo que les permit\u00eda observar la vastedad del mundo, la grandiosidad del universo y los detalles m\u00e1s diminutos de la realidad visible. Johannes Vermeer fue un gran representante del arte holand\u00e9s del barroco, pint\u00f3 entre 30 y 35 obras, en las que plasm\u00f3 paisajes de su ciudad, escenas de su casa y de la vida cotidiana; representaba peque\u00f1os detalles que denotaban que era un observador minucioso, lo cual lograba enga\u00f1ar a la mirada y dar la sensaci\u00f3n de que lo que se observaba era real.<\/p>\n\n\n\n<p>El pintor se dedicaba mucho tiempo a preparar los \u00f3leos perfectos; seg\u00fan la luz, transformaba los tonos de los objetos del momento que quer\u00eda plasmar sobre su lienzo. El pintor usaba un cuarto oscuro, un aparato que dio inicio a la fotograf\u00eda, y permit\u00eda el paso de la luz por un orificio al cual iba acoplada una lente al interior de una caja o habitaci\u00f3n oscura proyectando sobre una superficie la imagen del mundo exterior, esto le ayudaba a perfeccionar el tono del objeto.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"800\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?fit=1024%2C640\" alt=\"\" data-id=\"14127\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer\/\" class=\"wp-image-14127\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?resize=300%2C188&amp;ssl=1 300w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?resize=768%2C480&amp;ssl=1 768w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?resize=1024%2C640&amp;ssl=1 1024w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?resize=400%2C250&amp;ssl=1 400w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer.jpg?resize=1080%2C675&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p><strong>\u201cVermeer era un hombre que sorprendi\u00f3 por la calidad de sus obras, \u00e9l segu\u00eda la tradici\u00f3n de la pintura del interior, de rescatar la vida cotidiana dentro de sus temas con una calidad extrema\u201d<\/strong>, explic\u00f3 la maestra Nuria Galland Camacho, coordinadora de Servicios Pedag\u00f3gicos y Contenidos Acad\u00e9micos del Palacio de la Escuela de Medicina.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"690\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer1.jpg?resize=563%2C690&#038;ssl=1\" alt=\"\" data-id=\"14129\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer1\/\" class=\"wp-image-14129\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer1.jpg?w=563&amp;ssl=1 563w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer1.jpg?resize=245%2C300&amp;ssl=1 245w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"690\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer2.jpg?resize=563%2C690&#038;ssl=1\" alt=\"\" data-id=\"14130\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer2\/\" class=\"wp-image-14130\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer2.jpg?w=563&amp;ssl=1 563w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer2.jpg?resize=245%2C300&amp;ssl=1 245w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"705\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer3.jpg?resize=568%2C705&#038;ssl=1\" alt=\"\" data-id=\"14131\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer3\/\" class=\"wp-image-14131\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer3.jpg?w=568&amp;ssl=1 568w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer3.jpg?resize=242%2C300&amp;ssl=1 242w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"720\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer4.jpg?resize=602%2C720&#038;ssl=1\" alt=\"\" data-id=\"14132\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer4\/\" class=\"wp-image-14132\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer4.jpg?w=602&amp;ssl=1 602w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer4.jpg?resize=251%2C300&amp;ssl=1 251w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"877\" height=\"686\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer5.jpg?resize=877%2C686&#038;ssl=1\" alt=\"\" data-id=\"14133\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/vremer5\/\" class=\"wp-image-14133\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer5.jpg?w=877&amp;ssl=1 877w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer5.jpg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vremer5.jpg?resize=768%2C601&amp;ssl=1 768w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"582\" height=\"688\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v6.jpg?resize=582%2C688&#038;ssl=1\" alt=\"\" data-id=\"14134\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v6\/\" class=\"wp-image-14134\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v6.jpg?w=582&amp;ssl=1 582w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v6.jpg?resize=254%2C300&amp;ssl=1 254w\" sizes=\"auto, (max-width: 582px) 100vw, 582px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p>Johannes Vermeer observaba mucho el mundo femenino, el tema principal de sus obras era la mujer observada y como objeto de atenci\u00f3n del hombre. \u00c9l se diferenci\u00f3 de otros artistas porque en sus obras no hay un deseo er\u00f3tico como en aquellos que desarrollaron la desnudez femenina. <strong>\u201cLa pintura n\u00f3rdica apelaba a la mirada, no implicaba la raz\u00f3n, provocaba que la mirada quedara hipn\u00f3tica y que cualquiera se perdiera en los detalles de la vida cotidiana, la mayor\u00eda no se basaba en acontecimientos nobles del ser humano, sino en el d\u00eda a d\u00eda. Vermeer evitaba la an\u00e9cdota y logr\u00f3 dar a sus cuadros un ambiente atemporal\u201d<\/strong>, afirm\u00f3 la especialista durante el curso-taller de Historia del Arte transmitido por Facebook Live de la Facultad de Medicina.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"696\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v7.jpg?resize=575%2C696&#038;ssl=1\" alt=\"\" data-id=\"14135\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v7\/\" class=\"wp-image-14135\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v7.jpg?w=575&amp;ssl=1 575w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v7.jpg?resize=248%2C300&amp;ssl=1 248w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"720\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v8.jpg?resize=559%2C720&#038;ssl=1\" alt=\"\" data-id=\"14136\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v8\/\" class=\"wp-image-14136\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v8.jpg?w=559&amp;ssl=1 559w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v8.jpg?resize=233%2C300&amp;ssl=1 233w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v8.jpg?resize=400%2C516&amp;ssl=1 400w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"641\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v9.jpg?resize=455%2C641&#038;ssl=1\" alt=\"\" data-id=\"14137\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v9\/\" class=\"wp-image-14137\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v9.jpg?w=455&amp;ssl=1 455w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v9.jpg?resize=213%2C300&amp;ssl=1 213w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"728\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v10.jpg?resize=535%2C728&#038;ssl=1\" alt=\"\" data-id=\"14138\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v10\/\" class=\"wp-image-14138\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v10.jpg?w=535&amp;ssl=1 535w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v10.jpg?resize=220%2C300&amp;ssl=1 220w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"676\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v11.jpg?resize=602%2C676&#038;ssl=1\" alt=\"\" data-id=\"14139\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v11\/\" class=\"wp-image-14139\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v11.jpg?w=602&amp;ssl=1 602w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v11.jpg?resize=267%2C300&amp;ssl=1 267w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"715\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v12.jpg?resize=800%2C715&#038;ssl=1\" alt=\"\" data-id=\"14140\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v12\/\" class=\"wp-image-14140\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v12.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v12.jpg?resize=300%2C268&amp;ssl=1 300w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v12.jpg?resize=768%2C686&amp;ssl=1 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p>Algunas de las obras de Vermeer tienen un valor simb\u00f3lico, donde se refleja que Holanda en ese entonces era una rep\u00fablica protestante y calvinista, por lo cual no estaban permitidos los cuadros sacros.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Una de sus pinturas m\u00e1s famosas es\u00a0<em>La joven de la perla<\/em>, de la cual se escribi\u00f3 la novela y se produjo la pel\u00edcula del mismo nombre; Vermeer destaca en esta obra la belleza femenina y de la joya que porta, resalt\u00e1ndolas en un fondo negro.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"720\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v13.jpg?resize=576%2C720&#038;ssl=1\" alt=\"\" data-id=\"14141\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v13\/\" class=\"wp-image-14141\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v13.jpg?w=576&amp;ssl=1 576w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v13.jpg?resize=240%2C300&amp;ssl=1 240w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"666\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v14.jpg?resize=597%2C666&#038;ssl=1\" alt=\"\" data-id=\"14142\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v14\/\" class=\"wp-image-14142\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v14.jpg?w=597&amp;ssl=1 597w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v14.jpg?resize=269%2C300&amp;ssl=1 269w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p>La maestra Galland concluy\u00f3 su pl\u00e1tica destacando el libro\u00a0<em>El arte de describir. El arte holand\u00e9s en el siglo XVII<\/em>\u00a0de Svetlana Alpers, explicando que en \u00e9l <strong>&#8220;se habla no s\u00f3lo de la obra de Vermeer, sino tambi\u00e9n de los maestros contempor\u00e1neos, de esta renuncia a la posibilidad narrativa, de este \u00e9nfasis a esa pintura que describe la realidad visual con maestr\u00eda&#8221;.<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"688\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v15.jpg?resize=611%2C688&#038;ssl=1\" alt=\"\" data-id=\"14143\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v15\/\" class=\"wp-image-14143\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v15.jpg?w=611&amp;ssl=1 611w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v15.jpg?resize=266%2C300&amp;ssl=1 266w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"857\" height=\"717\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v16.jpg?resize=857%2C717&#038;ssl=1\" alt=\"\" data-id=\"14144\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/index.php\/2020\/08\/27\/el-arte-realista-en-la-pintura-de-vermeer\/v16\/\" class=\"wp-image-14144\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v16.jpg?w=857&amp;ssl=1 857w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v16.jpg?resize=300%2C251&amp;ssl=1 300w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/v16.jpg?resize=768%2C643&amp;ssl=1 768w\" sizes=\"auto, (max-width: 857px) 100vw, 857px\" \/><\/figure><\/li><\/ul>\n\n\n\n<p style=\"text-align:right\"> <strong>Axel Torres <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Los pintores n\u00f3rdicos ten\u00edan un ojo que les permit\u00eda observar la vastedad del mundo, la grandiosidad del universo y los detalles m\u00e1s diminutos de la realidad visible. Johannes Vermeer fue un gran representante del arte holand\u00e9s del barroco, pint\u00f3 entre 30 y 35 obras, en las que plasm\u00f3 paisajes de su ciudad, escenas de su [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":14049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[268,510,34],"class_list":["post-14048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cultura","tag-facultad-de-medicina","tag-palacio-de-la-escuela-de-medicina","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":false,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2020\/08\/vermeer.jpg?fit=1280%2C635&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paVGDG-3EA","_links":{"self":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/14048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/comments?post=14048"}],"version-history":[{"count":3,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/14048\/revisions"}],"predecessor-version":[{"id":14145,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/14048\/revisions\/14145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/media\/14049"}],"wp:attachment":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/media?parent=14048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/categories?post=14048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/tags?post=14048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}