{"id":16780,"date":"2021-02-19T16:44:28","date_gmt":"2021-02-19T16:44:28","guid":{"rendered":"https:\/\/gaceta.facmed.unam.mx\/?p=16780"},"modified":"2021-02-23T15:00:01","modified_gmt":"2021-02-23T15:00:01","slug":"el-amor-en-la-obra-de-fragonard","status":"publish","type":"post","link":"https:\/\/gaceta.facmed.unam.mx\/index.php\/2021\/02\/19\/el-amor-en-la-obra-de-fragonard\/","title":{"rendered":"El amor en la obra de Fragonard"},"content":{"rendered":"\n<p><strong>Jean Honor\u00e9&nbsp;Fragonard fue conocido como uno de los grandes expositores del Rococ\u00f3, destac\u00f3 principalmente durante el antiguo r\u00e9gimen franc\u00e9s, estuvo bajo la tutela de Jean Sime\u00f3n Chardin y Fran\u00e7ois Boucher, de quienes adquiri\u00f3 su estilo. Tras la Revoluci\u00f3n Francesa fue perseguido junto a otros artistas relacionados con las cabezas del poder.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"598\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?resize=1024%2C598&#038;ssl=1\" alt=\"\" class=\"wp-image-16851\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?resize=1024%2C598&amp;ssl=1 1024w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?resize=300%2C175&amp;ssl=1 300w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?resize=768%2C448&amp;ssl=1 768w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?resize=1080%2C630&amp;ssl=1 1080w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Maestra-Nuria-Fragornad.jpeg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Durante su \u00e9poca fueron favorecidas las escenas bajo ambientes idealistas, alejadas de una visi\u00f3n heroica, moral o \u00e9tica.&nbsp;<a>\u201c<\/a>Gran parte de su legado est\u00e1 orientado a una visi\u00f3n galante del amor, del romance y la sensualidad, que se manifiesta en la forma en que representa el entorno y la vegetaci\u00f3n que envuelve a los personajes hasta casi minimizarlos<a>\u201d<\/a>, <\/strong>explic\u00f3 la maestra Nuria Galland Camacho, Coordinadora de Servicios Pedag\u00f3gicos y Contenidos Acad\u00e9micos del Palacio de la Escuela de Medicina.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"452\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Boucher-Fracois-the-love-letter-2-2.jpg?resize=415%2C452&#038;ssl=1\" alt=\"\" class=\"wp-image-16808\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Boucher-Fracois-the-love-letter-2-2.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Boucher-Fracois-the-love-letter-2-2.jpg?resize=275%2C300&amp;ssl=1 275w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/figure><\/div>\n\n\n\n<p><strong>En&nbsp;<em>El beso robado<\/em>&nbsp;captur\u00f3 la esencia de una pareja que se demuestra amor, probablemente de forma clandestina<\/strong>, en un entorno suntuoso donde destacan el lujo y la ornamentaci\u00f3n que los rodea, se aprecia un tapete chino costoso, muebles finos y telas elegantes y pesadas que adornan los muros del lugar haciendo \u00e9nfasis en el placer y la comodidad.<\/p>\n\n\n\n<p>&nbsp;Sin embargo, \u201cno todo es jugueteo y ternura,<strong> tambi\u00e9n plasm\u00f3 situaciones que reflejaban violencia<a>\u201d<\/a><\/strong>, resalt\u00f3 la experta refiri\u00e9ndose a&nbsp;<em>El cerrojo<\/em>, donde se dibuja a un hombre en una habitaci\u00f3n haciendo uso de la fuerza para someter a su enamorada mientras aprieta el cerrojo de la puerta, evitando que la mujer huya; figura una manzana sobre un taburete como s\u00edmbolo de pecado y objetos regados en el suelo mostrando una lucha y forcejeo.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"415\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/El-cerrojo.jpg?resize=526%2C415&#038;ssl=1\" alt=\"\" class=\"wp-image-16782\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/El-cerrojo.jpg?w=526&amp;ssl=1 526w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/El-cerrojo.jpg?resize=300%2C237&amp;ssl=1 300w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure><\/div>\n\n\n\n<p>Fragonard viaj\u00f3 al norte de Europa donde se retrataban vivencias cotidianas, tambi\u00e9n pudo influenciarse de la pintura italiana como la de Caravaggio.<strong> Un signo distintivo de sus obras es el patr\u00f3n de craquelado circular que aparec\u00eda porque en su taller los lienzos no se tensaban mucho, esto ha sido \u00fatil para verificar la autenticidad de sus creaciones.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"331\" height=\"420\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-swing.jpg?resize=331%2C420&#038;ssl=1\" alt=\"\" data-id=\"16789\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16789\" class=\"wp-image-16789\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-swing.jpg?w=331&amp;ssl=1 331w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-swing.jpg?resize=236%2C300&amp;ssl=1 236w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"423\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-love-letter.jpg?resize=340%2C423&#038;ssl=1\" alt=\"\" data-id=\"16790\" data-full-url=\"https:\/\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-love-letter.jpg\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16790\" class=\"wp-image-16790\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-love-letter.jpg?w=340&amp;ssl=1 340w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/The-love-letter.jpg?resize=241%2C300&amp;ssl=1 241w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>En el Curso-Taller de Historia del Arte, transmitido por Facebook Live de la Facultad de Medicina de la UNAM, la maestra Galland Camacho se\u00f1al\u00f3 que este artista elabor\u00f3 una serie de cuatro pinturas llamadas&nbsp;<em>Las etapas del amor<\/em>, mandadas a hacer por \u00f3rdenes de Madame du Barry, amante de Luis XV, para adornar el interior de un sal\u00f3n de recepciones; posteriormente du Barry rechaz\u00f3 las pinturas por el cambio paulatino de tendencias en Francia, prefiriendo contratar a un artista apegado al estilo neocl\u00e1sico que resaltara los valores morales y las caracter\u00edsticas tradicionales del Renacimiento.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"419\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-pursuit.jpg?resize=290%2C419&#038;ssl=1\" alt=\"\" data-id=\"16783\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16783\" class=\"wp-image-16783\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-pursuit.jpg?w=290&amp;ssl=1 290w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-pursuit.jpg?resize=208%2C300&amp;ssl=1 208w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"422\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-meeting.jpg?resize=328%2C422&#038;ssl=1\" alt=\"\" data-id=\"16784\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16784\" class=\"wp-image-16784\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-meeting.jpg?w=328&amp;ssl=1 328w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-meeting.jpg?resize=233%2C300&amp;ssl=1 233w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"313\" height=\"406\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-lover-crowned.jpg?resize=313%2C406&#038;ssl=1\" alt=\"\" data-id=\"16785\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16785\" class=\"wp-image-16785\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-lover-crowned.jpg?w=313&amp;ssl=1 313w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-lover-crowned.jpg?resize=231%2C300&amp;ssl=1 231w\" sizes=\"auto, (max-width: 313px) 100vw, 313px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"292\" height=\"422\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-confession-of-love.jpg?resize=292%2C422&#038;ssl=1\" alt=\"\" data-id=\"16786\" data-full-url=\"https:\/\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-confession-of-love.jpg\" data-link=\"https:\/\/gaceta.facmed.unam.mx\/?attachment_id=16786\" class=\"wp-image-16786\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-confession-of-love.jpg?w=292&amp;ssl=1 292w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/the-progress-of-love-the-confession-of-love.jpg?resize=208%2C300&amp;ssl=1 208w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>\u201cQuiz\u00e1 el Rococ\u00f3 ha sido un periodo ampliamente criticado porque hab\u00eda muchos aspectos que criticar de esta \u00e9poca, pero posiblemente en nuestra vida diaria hemos estado m\u00e1s expuestos a situaciones de complicidad, gozo y coqueter\u00eda, m\u00e1s que a haza\u00f1as heroicas o b\u00e9licas\u201d, concluy\u00f3 la experta.<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-1 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"396\" src=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Match-to-powderdeck-1-2.jpg?resize=479%2C396&#038;ssl=1\" alt=\"\" data-id=\"16806\" class=\"wp-image-16806\" srcset=\"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Match-to-powderdeck-1-2.jpg?w=479&amp;ssl=1 479w, https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/Match-to-powderdeck-1-2.jpg?resize=300%2C248&amp;ssl=1 300w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><strong>Ricardo Ambrosio<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean Honor\u00e9&nbsp;Fragonard fue conocido como uno de los grandes expositores del Rococ\u00f3, destac\u00f3 principalmente durante el antiguo r\u00e9gimen franc\u00e9s, estuvo bajo la tutela de Jean Sime\u00f3n Chardin y Fran\u00e7ois Boucher, de quienes adquiri\u00f3 su estilo. Tras la Revoluci\u00f3n Francesa fue perseguido junto a otros artistas relacionados con las cabezas del poder. Durante su \u00e9poca fueron [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":16802,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[1753,37],"class_list":["post-16780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-historia-del-arte","tag-pintura","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":false,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/gaceta.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/amor-en-el-rococo-principal.jpeg?fit=1280%2C635&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paVGDG-4mE","_links":{"self":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/16780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/comments?post=16780"}],"version-history":[{"count":7,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/16780\/revisions"}],"predecessor-version":[{"id":16852,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/posts\/16780\/revisions\/16852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/media\/16802"}],"wp:attachment":[{"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/media?parent=16780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/categories?post=16780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gaceta.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/tags?post=16780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}